Solnit explores the way some men attempted to erase her, to shut her up, keep her out and challenge her credibility, as well as contemplating other kinds of nonexistence of groups for gender, ethnicity, and orientation.

Then in her early twenties, Solnit tells of being poor, hopeful, and adrift in the city, which became her great teacher of the small apartment she found, which became a home in which to metamorphosize of how punk rock gave form and voice to her own fury and explosive energy. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced-and how she was galvanized to use her own voice for change.'In this memoir, celebrated author, historian, and activist Rebecca Solnit relates how she found her voice as a writer and as a feminist during the 1980s in San Francisco, in an atmosphere of gender violence on the street and the exclusion of women from cultural arenas. She explores the forces that liberated her as a person and as a writer-books themselves the gay community that presented a new model of what else gender, family, and joy could mean and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.īeyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. Longlisted for The Orwell Prize for Political WritingĪn electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses

Shortlisted for the James Tait Black Prize for Biography

Recollections of my nonexistence